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Sam Moore, of soul duo Sam & Dave, 89
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Jason
2025-01-11 12:42:42 UTC
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https://www.usatoday.com/story/entertainment/music/2025/01/10/sam-moore-dies-at-89-sam-and-dave/77612270007/


Legendary soul man Sam Moore, whose distinctive tenor powered numerous
R&B classics from the 1960s, has died. He was 89.

According to a statement released by his representatives, Moore died
Friday morning in Coral Gables, Florida, while recovering from surgery.

Along with Dave Prater, Moore recorded timeless hits including “Soul
Man,” “Hold On, I’m Comin'” and “I Thank You” as the duo Sam & Dave.

The duo, which broke up in 1970, was inducted into the Rock & Roll Hall
of Fame in 1992, a posthumous honor for Prater who died in 1988.

Moore was as regarded for his gleaming smile as his strong-yet-silken
voice, an instrument so potent that Bruce Springsteen frequently
referred to him as “the greatest living soul singer on the planet.”
Moore joined Springsteen as a backup singer on the rocker’s 1992 “Human
Touch” album as well as on 2023’s “Only the Strong Survive,” where he
shared vocals with Springsteen on covers of “Soul Days” and “I Forgot to
Be Your Lover.”

Born in 1935 in Miami, Moore grew up singing in churches in the city’s
Overtown and Liberty city neighborhood. While friends and family –
including fellow soul singer Sam Cooke – encouraged Moore to continue
singing gospel, Moore had other ideas after seeing Jackie Wilson play at
a local club: he wanted to be a pop star.


While working as the emcee and talent show host at the King O’ Hearts
Club in Miami in 1961, Moore met Prater, who was trying out for the
talent show. It was an immediate vocal match and the pair was soon
signed to a record deal.

But after Ahmet Ertegun, Tom Dowd and Jerry Wexler of the noted Atlantic
Records witnessed Sam & Dave performing at the King O’ Hearts in 1964,
they were offered a bigger deal with the label and subsequently “loaned
out” to Atlantic’s southern arm, Stax Records.

The hits that followed – "You Don't Know Like I Know,” “Hold On, I’m
Comin’,” “When Something is Wrong With My Baby” and, in 1967, “Soul Man”
– solidified their prowess. That song, with its insinuating brass and
molasses vocals, won a Grammy in 1967 for best performance, R&B group
and was voted into the Grammy Hall of Fame in 1999.

More than a decade later, with prominent placement on “Saturday Night
Live” from The Blues Brothers (Dan Aykroyd and John Belushi), “Soul Man”
continued to live in pop culture lore.

Moore endured struggles in the ‘70s, including a severe heroin addiction
and in the early ‘80s, his wife, Joyce McRae helped save his life by
entering him into a clinical trial of the anti-opiate Naltrexone.

Moore was a regular presence at the Kennedy Center and in 2014 performed
a moving rendition of “Take Me to the River” with Mavis Staples in
tribute to Al Green at the Kennedy Center Honors.

He also performed for presidents Jimmy Carter, George H. W. Bush, Bill
Clinton, George W. Bush, Barack Obama and Donald Trump and in 2002,
finally released his long-shelved solo album, “Plenty Good Loving,”
which was produced by saxophonist King Curtis, whose 1971 murder led to
the album’s demise at the time.

Moore’s final solo release, “Overnight Sensational,” arrived in 2006
with features from prominent music names including Springsteen, Sting
and Bon Jovi.

Moore is survived by McRae, daughter Michelle and grandchildren Tash and
Misha.
bryan_styble
2025-01-11 23:16:36 UTC
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I always thought it was a cryin' shame when the late Moore was largely
unable to prevent his longtime former partner from touring 1982-1988 as
a phony Sam & Dave act (with some other guy also named Sam).

Can't understand why the courts weren't able to get the ersatz Sam &
Dave to cease-and-desist, because unique names for your act are vital in
all realms of showbiz. (Remember that abortive tour some Fleetwood Mac
ex-manager tried to stage with exactly ZERO original members of the
band?)*

BRYAN STYBLE/Florida
=================
* Rolling Stone reported on that movable scam under the headline, "When
Is a Fleetwood Mac Not a Fleetwood Mac?"
-----------------
https://en.wikipedia.org/wiki/Sam_%26_Dave
David Samuel Barr
2025-01-12 14:26:36 UTC
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We've been through this before, although I'm surprised to see it
wasn't more recent than when I posted this here on 7/4/2005:

"Several years ago [6/6/2000 it now turns out], in another NG, I
posted an illustration of how these things come about:

'One of the problems that constantly rears its head in the concert
business is that of musical groups (mostly from the 50s and 60s) in
which the current lineup bears no resemblance to the original one which
made the group famous. Sometimes, you even have several different
groups touring with the same name and representing themselves as the
famed group, mostly because individual members of the original or
successor lineups have gone off on their own and formed new groups
around the same name.

For example, you have a group called the Ceciltones, made up of Bob,
Seanette, Bailey and Deborah. Deborah leaves to join a commune and is
replaced by Dana. Then Bob and Seanette decide to get married and go
off on their own. Bailey and Dana decide to keep going and get Jason
and Connie-Lynne to join the group. Jason leaves to form an Erasure
tribute band, and Bailey decides she wants to give up music and go to
nursing school; Dana and Connie-Lynne recruit Perry and Margaret to
replace them. Meantime, Bob and Seanette have gotten the performing
itch again, and they find Lisa and Amy and go back out on the road as
the Ceciltones. Complicating matters further, Deborah has gotten bored
with commune life and, after bumping into Jason at his trio's farewell
show, persuades them to join her to form a third Ceciltones. So you now
have three groups touring with the same name, each claiming to be the
original. The first group is the direct linear descendant of the
original, even though it no longer has any of the four original members,
only one each from Mark II and Mark III; the second does have two of the
original members and the third has one original member and one from Mark
III, but neither is the complete original lineup.

Sometimes these various incarnations end up in court suing each other,
but unless there is some official legal paperwork which establishes who
owns the rights to the name in this context, there's not much any group
can do to stop the others. To avoid such complications, especially when
one person does have the name rights, other groups may put modifiers
into their group names.[...]'"

And quoting from my 4/2/2003 post in yet another group:
"Some artists, though, have trademarked their names (e.g. Chicago and
Billy Joel), so as to have some legal protection against other artists
using those names."
Post by bryan_styble
I always thought it was a cryin' shame when the late Moore was largely
unable to prevent his longtime former partner from touring 1982-1988 as
a phony Sam & Dave act (with some other guy also named Sam).
Can't understand why the courts weren't able to get the ersatz Sam &
Dave to cease-and-desist, because unique names for your act are vital in
all realms of showbiz.  (Remember that abortive tour some Fleetwood Mac
ex-manager tried to stage with exactly ZERO original members of the
band?)*
BRYAN STYBLE/Florida
=================
* Rolling Stone reported on that movable scam under the headline, "When
Is a Fleetwood Mac Not a Fleetwood Mac?"
-----------------
https://en.wikipedia.org/wiki/Sam_%26_Dave
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