Hyfler/Rosner
2003-09-09 00:50:35 UTC
Lens Love With A Touch Of Rebellion
BYLINE: Tony Stephen
<sydney morning herald>
Anton Cermak
Photographer
1933-2003
When Anton Cermak fled Prague in 1968 he gave the negatives of the
photographs he had taken of the Russian invasion to his friend, who hid them
in her brassiere. The couple headed for Vienna and the pictures were
published around the world.
Cermak and the woman who was to become his wife, Jana, applied to Brazilian
and Australian authorities for immigration papers. "We wanted to go as far
from Europe as possible," Jana Cermak said after her husband's funeral.
The Australian papers turned up first. Australia would do, they agreed.
Arriving in Sydney in January 1969, Cermak went to the Herald office and
asked, as well as he could with his almost total lack of English, for a job.
He had no portfolio of photographs but he had the negatives of the action
shots taken in Prague. John Rich, the pictorial manager, recognised the
pictures. The refugee had a job.
He worked for the Herald and other Fairfax newspapers and won several
awards, including one in the British Press Photographer of the Year
competition.
Cermak was born in Prague. Although his first love was photography, his
father was a businessman so he studied commerce. Anton's opposition to the
communist regime as a student landed him in jail in the 1950s.
The touch of rebellion about him did not end there. He was a footballer and
a rower and hit on the idea of placing a camera inside the rowing shell in
which he was competing, to take action shots by activating the camera with a
foot. Officials disqualified the eight-man crew from a national competition.
Cermak welcomed the advent of Alexander Dubcek as first secretary of the
Czechoslovak Communist Party and the reforms he brought in what became known
as the Prague Spring of 1968. The Russians who dominated the then Soviet
Bloc were less enthusiastic. They sent in the tanks, occupied the country
and forced Dubcek to resign.
Cermak was one of only a handful of photographers who documented the first
hours of the Russian invasion in 1968. The films were smuggled to the West.
He said afterwards of the picture of the tank crew on this page: "The
officers did not like large crowds of people around their tanks. They did
not like cameras, either. The best way to solve the problem was gun."
He photographed young people protesting, some with flags, in front of tanks
in Wenceslas Square. After two days of Russian occupation, he photographed
invading soldiers reading copies of Pravda, the Russian newspaper whose
title translates as "Truth".
Cermak said later: "The paper explained to the troops where they were, why
and what to do. Most of the soldiers did not know what was going on."
Cermak had hidden his camera under a newspaper taken from a tank crew. After
the soldiers saw the lens he, his camera and film survived a wild chase
through Prague streets.
Jana was also a photographer and they married in Australia in 1972. While he
worked in black and white, she worked in colour and usually in the dark
room.
Soccer was a minor football code in Australia when they arrived and he made
it one of his specialties. He went with the Australian team to Germany in
1974, the last time Australia contested World Cup finals. He had an affinity
with coaches such as Rale Rasic and Frank Arok .
He also loved tennis. He formed friendships with visiting Czech players,
including Ivan Lendl , Martina Navratilova and Hana Mandlikova , who
sometimes stayed with Anton and Jana in their Bondi apartment.
His photographs of sporting matches and sports people appear in five book
collections. He said of his work: "It was a hobby which became a career. I
have never regretted a minute of it. It was love and hate. I loved the
results, and sometimes hated the conditions."
He was an emotional man who loved a party and a drink, usually vodka. He and
Jana conducted memorable toga parties.
They also loved the Australian sun and fishing. They retired to Mackay and
spent a good deal of time on Whitsunday islands, often as nudists. Anton
built a fishing shack on a headland at Proserpine.
He even developed a neat, though somewhat crude, sense of Australian irony.
Asked how he was of a morning, he would sometimes say: "I look out my
window, sky is blue, sun is shining, birds are singing. C--- of day."
Anton and Jana both lost contact with their families after leaving
Czechoslovakia. Jana never saw her mother again. Anton met a sister during
his time at the 1974 World Cup. But after planning a post-retirement
European holiday of six weeks in 1992, he and Jana flew home to sunny
Australia after 10 days.
Cermak's farewell from journalism was attended by the then NSW premier, Nick
Greiner. The two had something in common. Greiner's Hungarian family had
suffered at the hands of the Nazis during the war and the communists after
it. Together they applauded Australian multi- culturalism.
BYLINE: Tony Stephen
<sydney morning herald>
Anton Cermak
Photographer
1933-2003
When Anton Cermak fled Prague in 1968 he gave the negatives of the
photographs he had taken of the Russian invasion to his friend, who hid them
in her brassiere. The couple headed for Vienna and the pictures were
published around the world.
Cermak and the woman who was to become his wife, Jana, applied to Brazilian
and Australian authorities for immigration papers. "We wanted to go as far
from Europe as possible," Jana Cermak said after her husband's funeral.
The Australian papers turned up first. Australia would do, they agreed.
Arriving in Sydney in January 1969, Cermak went to the Herald office and
asked, as well as he could with his almost total lack of English, for a job.
He had no portfolio of photographs but he had the negatives of the action
shots taken in Prague. John Rich, the pictorial manager, recognised the
pictures. The refugee had a job.
He worked for the Herald and other Fairfax newspapers and won several
awards, including one in the British Press Photographer of the Year
competition.
Cermak was born in Prague. Although his first love was photography, his
father was a businessman so he studied commerce. Anton's opposition to the
communist regime as a student landed him in jail in the 1950s.
The touch of rebellion about him did not end there. He was a footballer and
a rower and hit on the idea of placing a camera inside the rowing shell in
which he was competing, to take action shots by activating the camera with a
foot. Officials disqualified the eight-man crew from a national competition.
Cermak welcomed the advent of Alexander Dubcek as first secretary of the
Czechoslovak Communist Party and the reforms he brought in what became known
as the Prague Spring of 1968. The Russians who dominated the then Soviet
Bloc were less enthusiastic. They sent in the tanks, occupied the country
and forced Dubcek to resign.
Cermak was one of only a handful of photographers who documented the first
hours of the Russian invasion in 1968. The films were smuggled to the West.
He said afterwards of the picture of the tank crew on this page: "The
officers did not like large crowds of people around their tanks. They did
not like cameras, either. The best way to solve the problem was gun."
He photographed young people protesting, some with flags, in front of tanks
in Wenceslas Square. After two days of Russian occupation, he photographed
invading soldiers reading copies of Pravda, the Russian newspaper whose
title translates as "Truth".
Cermak said later: "The paper explained to the troops where they were, why
and what to do. Most of the soldiers did not know what was going on."
Cermak had hidden his camera under a newspaper taken from a tank crew. After
the soldiers saw the lens he, his camera and film survived a wild chase
through Prague streets.
Jana was also a photographer and they married in Australia in 1972. While he
worked in black and white, she worked in colour and usually in the dark
room.
Soccer was a minor football code in Australia when they arrived and he made
it one of his specialties. He went with the Australian team to Germany in
1974, the last time Australia contested World Cup finals. He had an affinity
with coaches such as Rale Rasic and Frank Arok .
He also loved tennis. He formed friendships with visiting Czech players,
including Ivan Lendl , Martina Navratilova and Hana Mandlikova , who
sometimes stayed with Anton and Jana in their Bondi apartment.
His photographs of sporting matches and sports people appear in five book
collections. He said of his work: "It was a hobby which became a career. I
have never regretted a minute of it. It was love and hate. I loved the
results, and sometimes hated the conditions."
He was an emotional man who loved a party and a drink, usually vodka. He and
Jana conducted memorable toga parties.
They also loved the Australian sun and fishing. They retired to Mackay and
spent a good deal of time on Whitsunday islands, often as nudists. Anton
built a fishing shack on a headland at Proserpine.
He even developed a neat, though somewhat crude, sense of Australian irony.
Asked how he was of a morning, he would sometimes say: "I look out my
window, sky is blue, sun is shining, birds are singing. C--- of day."
Anton and Jana both lost contact with their families after leaving
Czechoslovakia. Jana never saw her mother again. Anton met a sister during
his time at the 1974 World Cup. But after planning a post-retirement
European holiday of six weeks in 1992, he and Jana flew home to sunny
Australia after 10 days.
Cermak's farewell from journalism was attended by the then NSW premier, Nick
Greiner. The two had something in common. Greiner's Hungarian family had
suffered at the hands of the Nazis during the war and the communists after
it. Together they applauded Australian multi- culturalism.