Alan Parker, 76, UK director (Midn Expresss; Evita; Miss. Burning; The Wall)
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That Derek
2020-07-31 16:08:44 UTC

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Alan Parker Dies: Towering UK Director Of ‘Bugsy Malone’, ‘Midnight Express’ & ‘Evita’ Was 76

By Andreas Wiseman
July 31, 2020 8:43am

Acclaimed UK director Alan Parker, a towering figure in the UK industry, passed away this morning following a lengthy illness, the British Film Institute has confirmed.

Two-time Oscar nominee Parker was best known for directing classic films including Bugsy Malone, Midnight Express, Mississippi Burning and The Commitments, as well as big-budget Madonna movie Evita.

Parker was a passionate supporter of the UK film industry and a founding member of the Directors Guild of Great Britain. He was the founding Chairman of the UK Film Council in 2000, a position he held for five years, and prior to that he was Chairman of the BFI. He received a CBE in 1995 and a knighthood in 2002. He was also an Officier des Arts et Letters (France).

Parker was born in Islington, London, February 14, 1944. He began his career in advertising as a copywriter but quickly graduated to writing and directing commercials. By the late 1960s he was one of the small, but hugely influential, group of British directors (including Ridley Scott and Hugh Hudson and Adrian Lyne) who revolutionised the look, quality and reputation of TV advertising by combining sophisticated, witty storytelling with cinema aesthetics for the first time. In 1980 he received the D&AD Gold President’s Award.

In 1974, he moved into long form drama when he directed the BBC film, The Evacuees, written by Jack Rosenthal, which won the International Emmy Award and a BAFTA award for direction; the first of Parker’s seven BAFTA awards.
Parker wrote and directed his first feature film, Bugsy Malone, in 1975. It was a unique musical pastiche of Hollywood gangster films of the 1930’s with a cast comprised entirely of children, including a knockout performance by Jodie Foster. The film received eight BAFTA film nominations and five awards.
Parker’s second film was the hugely successful and controversial Midnight Express (1977) which won two Oscars and six Academy Award nominations, including for Parker as Best Director. The film received six Golden Globe Awards and four BAFTA awards.

This was followed, in 1979, by Fame, a joyful and diverse celebration of youthful ambition in the arts, which won two Academy Awards, six nominations, four Golden Globe nominations and was subsequently adapted into a long-running television series.

In 1981 Parker directed the powerful family drama, Shoot The Moon, starring Diane Keaton and Albert Finney. That same year he also directed the seminal Pink Floyd – The Wall, the feature film adaptation of the phenomenally successful rock album, which has become a classic of the rock-opera film genre.

In 1984, Parker directed Birdy based on the William Wharton novel, starring Nicolas Cage and Matthew Modine, which won the Grand Prix Special Du Jury at the 1985 Cannes Film Festival.

Parker’s next film, the occult thriller Angel Heart, made in 1986 and starring Mickey Rourke, Robert De Niro and Lisa Bonet, opened in the US amidst a storm of controversy caused by the ‘X’ rating imposed on the film by the MPAA.

In 1988 Parker directed the civil rights drama, Mississippi Burning, starring Gene Hackman and Willem Dafoe, which was nominated for seven Academy Awards including Best Director for Parker and winning for Best Cinematography. Parker was also awarded the D.W. Griffith Award for directing by the National Board of Review. The film was nominated for five BAFTA film awards, winning three. It also won the Silver Bear at the Berlin International Film Festival.

In 1989 Parker wrote and directed Come See The Paradise, a moving family story about the treatment of forcibly interned Japanese-Americans during World War II, starring Dennis Quaid and Tamlyn Tomita. A year later, he would make The Commitments, the story of a young, Irish, working-class soul band, which was awarded a Golden Globe Nomination for Best Picture and won Parker the Best Director prize at the Tokyo Film Festival, as well as BAFTA film awards for Editing, Screenplay, Director and Best Picture.

In 1993, Parker wrote and directed comedy-drama, The Road to Wellville, based on the novel by T. Coraghessan Boyle, and starring Anthony Hopkins, Bridget Fonda, Matthew Broderick, John Cusack and Dana Carvey.

In 1996, he directed, wrote and produced Evita, based on the stage musical by Andrew Lloyd Webber and Tim Rice, and starring Madonna, Antonio Banderas and Jonathan Pryce. The film won three Golden Globe Awards, including Best Picture.

In 1999 Parker wrote and directed Angela’s Ashes based on the Pulitzer Prize winning, best-selling memoir by Frank McCourt, starring Emily Watson and Robert Carlyle. Parker’s final film was The Life of David Gale, the 2003 thriller about the cruel politics of capital punishment in the US, starring Kate Winslet, Kevin Spacey and Laura Linney.

Parker was also the author of the best-selling novel written from his own screenplay of Bugsy Malone, published by HarperCollins. In addition he wrote two other published novels, Puddles In The Lane, (1977) and The Sucker’s Kiss (2003). He was also an adept cartoonist and painter.

In 1984 Parker was honoured by the British Academy with the prestigious Michael Balcon Award for Outstanding Contribution to British Cinema. In 1998 he received the Lifetime Achievement Award from the Directors Guild of Great Britain and the Lumiere Medal from the Royal Photographic Society. He was awarded the 2013 Bafta Fellowship.

Parker is survived by his wife Lisa Moran-Parker, his children Lucy, Alexander, Jake, Nathan and Henry, and seven grandchildren.
Terry del Fuego
2020-07-31 19:01:34 UTC
On Fri, 31 Jul 2020 09:08:44 -0700 (PDT), That Derek
Parker’s next film, the occult thriller Angel Heart, made in
1986 and starring Mickey Rourke, Robert De Niro and Lisa
Bonet, opened in the US amidst a storm of controversy
caused by the ‘X’ rating imposed on the film by the MPAA.
This is pretty misleading. It's true that it got an X when initially
submitted to the MPAA, but it was edited and then *only* shown
theatrically in that form, which was rated R. To the best of my
knowledge, while the uncut version is on video and ran theatrically in
civilized countries, it never played theaters in the USA.

No doubt the presence of Lisa Bonet in the scene that had to be
censored certainly generated additional press coverage, but the rating
situation was hardly unique.

The same thing still happens today with NC-17, though it's arguably
become as much a marketing gimmick for the eventual video release as
any kind of true Art vs. Authority conflict.

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